[A403.Ebook] PDF Download Round About the Earth: Circumnavigation from Magellan to Orbit, by Joyce E. Chaplin

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Highly acclaimed, this first full history of around-the-world travel by Joyce E. Chaplin brilliantly tells the story of circumnavigation. A witty, erudite, and colorful account of the outrageous ambitions that have inspired men and women to circle the entire planet.

In this first full history of around-the-world travel, Joyce E. Chaplin brilliantly tells the story of circumnavigation. For almost five hundred years, human beings have been finding ways to circle the Earth—by sail, steam, or liquid fuel; by cycling, driving, flying, or going into orbit; even by using their own bodily power. Round About the Earth is a witty, erudite, and colorful account of the outrageous ambitions that have inspired men and women to encircle the planet.

• Sales Rank: #1641125 in Books
• Published on: 2013-11-19
• Released on: 2013-11-19
• Original language: English
• Number of items: 1
• Dimensions: 8.94" h x 1.30" w x 6.00" l, 1.51 pounds
• Binding: Paperback
• 560 pages

From Booklist
*Starred Review* A voyage around terra firma constitutes a unique category of travel, recognized as such since Magellan’s surviving sailors completed their globe-girdling accomplishment in 1522. Chaplin coins an evocative term for epics of circumnavigation, geodrama, the script of which she divides into three acts. The first covers the three centuries following Magellan, when mariners wrapped the world in European networks of trade and empire. Whatever one thinks about imperialism, its political coherence raised the curtain on geodrama’s second act of the nineteenth century, when circling the planet became an enlivening individual challenge, not the virtual condemnation to death that it had been from Magellan to Cook. Indeed, Jules Verne’s hero Phileas Fogg inspired Chaplin to do the research for this work; Fogg winning his bet and his girl epitomizes the personal motivations for globe-trotting. Ocean liners and airlines later democratized the circumnavigational experience and, jettisoning scurvy, furnished it with champagne. Chaplin writes that the confidence this gave that the earth was embraceable and humanity unifiable evaporated with colonialism, to be succeeded by the anxieties of geodrama’s third act, the space age. Spaceships, like sailing ships, were dangerous, and their passengers’ view of the entire planet evoked worries for its fate, environmentally and politically. Weaving myriad connections among disparate voyagers, Chaplin combines acute insights with amazing adventures in a vastly entertaining narrative. --Gilbert Taylor

Review
“A richly textured narrative. … Colorful adventures … fill the pages of this unconventional world history…Chaplin knows how to tell an absorbing story, weaving compelling reflections together with captivating vignettes. Augmented by first-person accounts, her prose can call to mind the late Samuel Eliot Morison, another Harvard historian whose dramatic narratives frequently unfolded at sea.” (Wall Street Journal)

“By chronicling the way humans have traveled around the world in the past 500 years, Joyce Chaplin shows the interplay of aspirations and technology, from sail and steam to jets and rockets. More profoundly, she explores what it means to circle our globe, act on a planetary scale, and encompass both figuratively and literally the whole earth.” (Walter Isaacson, author of Steve Jobs)

“[Chaplin writes] with a storyteller’s brevity and dry wit in this captivating account of world-rounding expeditions.” (The New York Times Book Review)

“In this thrilling history, Joyce Chaplin has illuminated one of the greatest dramas of humankind: the quest to journey around the globe. She not only brilliantly brings to life these mad-cap explorations; she shows how they transformed our understanding of the planet.” (David Grann, author of The Lost City of Z)

“This history, the first of its kind, is a lively charge through 500 years of worldwide exploration (and beyond)….Chaplin's greatest feat is convincingly demonstrating that circumnavigation is not just a series of dates, death tallies and speed records… In the present day, that sense of collective, global history is more urgent than ever.” (Los Angeles Times)

“Weaving myriad connections among disparate voyagers, Chaplin combines acute insights with amazing adventures in a vastly entertaining narrative.” [Starred Review] (Booklist)

“Hardship, frolic, barnstorming, and spiritual enigma shape this scintillating history of round-the-world travel…The book’s heart is its profusion of entertaining travel picaresques with their gallery of colorful figures on grand, eccentric, or piratical quests…Chaplin is such a charming, perceptive raconteur that we’re happy to drift in the eddies of her prose.” [Starred Review] (Publishers Weekly)

“All the voyagers who have ventured fearful into the vast unknown spaces of our planet have a patron saint: Harvard historian Joyce Chaplin. Did she, like them, really appreciate what she was getting into when she set sail to track the adventures of the circumnavigators by sail, steam, and spaceship over 500 years?
The risks for Chaplin, as the first complete chronicler of the globe-circlers, were that she would either get becalmed in a Pacific ocean of research, or lose the narrative thread in unloading all her plunder.
The reader may safely embark with eager anticipation. She can be welcomed home with garlands. Her book is a treasure of thrilling stories, replete with insights into the advances of science, technology and medicine, and it’s reflective, too. The planet we encircle and embrace is our only home in the cosmos." (Sir Harold Evans, author of The American Century)

“Joyce Chaplin is a great historian with a fresh eye and a sure touch. She is a story teller with keen insight, command of the material, a sense of whimsy, and a flair for portraying human drama. What a wonderful way to go around the world." (Evan Thomas, author of Ike’s Bluff)

“Rich in detail, fresh perspective and even wit, it’s a sweeping discourse that covers the 500 years from Portuguese explorer Magellan to contemporary times. It’s a tale of adventure, danger and fascinating insight into what has, for five centuries, compelled humans to ‘take on’ the planet… marvelous…fascinating.” (American Profile)

About the Author
Joyce E. Chaplin is the James Duncan Phillips Professor of History at Harvard University. She is the author of four previous books of nonfiction, including The First Scientific American: Benjamin Franklin and the Pursuit of Genius (2006), a finalist for the Los Angeles Times Book Prize (Science and Technology Category), and winner of the Annibel Jenkins Prize of American Society for Eighteenth-Century Studies.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Round About the Earth: Circumnavigation from Magellan to Orbit
By Michael
Round About the Earth is the perfect book for someone who likes both history and travel. It is a highly readable account of circumnavigation. It goes into the details of each expedition as well as background social and political issues without becoming boring. I would recommend this book to anyone interested in history and travel and who is curious about the world around them.

0 of 0 people found the following review helpful.
Take a Trip Around the Globe of the Past
By Alex C. Telander
There have been many books written about the notorious explorers from history, like Columbus, Magellan, Cook and even Darwin. There are also now a fair number of people who can make the claim that they have circumnavigated this globe. Joyce E. Chaplin presents readers with the first full history on those who have traveled around the world and told their story.

Divided into sections, Chaplin presents the series of historical tales starting with Magellan, giving the ups and downs of the journey. She points out that it wasn’t until the twentieth century that these round-the-world trips actually returned to their starting point with most of the crew still alive. All the greats make it into this book, such as Francis Drake, William Dampier, Louis-Antoine de Bougainville, and James Cook. When sea travel became safer, people like Charles Darwin made the journey, as well as some notable women like Lady Brassey.

With the advent of encompassing railroad travel and exotic cruise ships, round the world journeys became much more achievable and common for a lot of people. And with the advent of the space race, a new concept of circumnavigating the globe came into play, with an elite few achieving it. Chaplin has fun exploring these many journeys and why people seem driven to accomplish it. While her writing can get a little dry and long-winded at points, Round About the Earth still represents an interesting foray into this unique group of travelers.

Originally written on February 11, 2013 �Alex C. Telander.

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2 of 3 people found the following review helpful.
Great read - not your normal review of history
By SafetyRick
Bought this book to first read then give to my parents as they have circumnavigated the world twice on cruise ships.
I really liked the attention to the social framework and interconnectednesss of all the attempts through the ages. The author's research provided some enlightning details that made the read that much more interesting.

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[W402.Ebook] Download PDF 32 Lays Later: The List 2, by Kate J. Squires

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Can passion and porn co-exist?

Sexually adventurous Bethany is ready for a change. After spending almost ten years as a nurse, she craves work that will stimulate her amazing body as well as her quick mind.

When she finds out her crush, the enigmatic film producer Ari, is actually the owner of an adult film company, Beth gleefully signs a contract to work for him. She will live in a mansion for the next two months with a cast of smoking hot porn stars while filming 32 adult productions – what's not to love?

But as Beth tries to guard her heart against falling for Ari, a new star enters the house. Soon Beth is questioning everything she thought she knew about love … and wondering if there's room in her heart, and in her bed, for more than just one …

• Sales Rank: #232848 in eBooks
• Published on: 2015-09-24
• Released on: 2015-09-24
• Format: Kindle eBook

Most helpful customer reviews

0 of 0 people found the following review helpful.
Quick and fun
By Elizabeth Schulenburg
Sometimes erotica feels grounded in reality - sometimes it ventures into complete and total fantasy. This book is definitely the latter. The heroine is a strong independent woman that almost no actual reader can relate to - ultra rich, ultra beautiful, ultra high libido, her adventures in the porn industry only add to the feeling that this protagonist is not like anyone the reader would ever meet in real life. Obviously the book is packed with steamy scenes, and it was refreshing to see the author choose to explore some of the less attractive parts of the porn industry. I thought the relationships in the book felt authentic though rushed, and the pacing and plot were good. The author did some really weird things with dialogue, both from Bethany and Honey, another porn star, that jolted me out of the story somewhat, and the inevitable ending was obvious from about 50% of the way in.

Overall, a fun if somewhat mindless read, quick and entertaining, but not something the reader feels particularly good about when it's over. Kinda like the porn it's based on, I guess.

(I received a copy of the novel from the publisher via Netgalley in exchange for my honest opinion.)

0 of 0 people found the following review helpful.
Finding love in porn...
By Pinky1979
Reading the description of the book you really don't expect to find love or even any sweet emotions in it. Yet that is exactly what this book delivers. Along with a healthy dose of steam of course. Bethany wants excitement and something different in her life. She is bored with her nursing job and desperately wants to experience life. She enjoys sex and after discovering that the man that she has had a crush on, Ari, is a porn producer, she decides that she wants to be a pornstar. Why not get payed for something that she loves doing? Even though she has a hard time convincing Ari to give her a chance, he finally gives in. What Bethany doesn't expect is to find love amid all this.
This is a book filled with one hot love scene after another and yet it is still emotional. I've never read a threesome in which all three parties felt so much love and lust for eachother. It genuining felt like they loved and cared for one another. A sweet and hot read!

Thank you Netgalley and Momentum (Pan MacMillan) for providing this ARC in exchange for an honest review.

0 of 0 people found the following review helpful.
Deeper than part 1
By Grace Morales
This was so good on it own, but first let me begin with my disappointment. I LOVED the first book. I loved how it was funny and awkward and totally crazy. I expected the same thing with this one. I was disappointed in that. This is nothing like the first and I hate to say I am fearful for the release because I feel like there will be bad reviews from people picking up part 2 and expecting a redo of part 1. So let me be the first to say that if that is all you want DO NOT READ THIS. This book is so much deeper than part 1. It takes a weird premise of shooting porn and gives the reader a true romance behind the scenes. The scenes were HOT and left you feeling satisfied. The only issue I had was the ending when they had an issue coming to the conclusion the reader did 7 chapters before. Other than that this is a good story of a developing threesome and hot steamy scenes with all the characters. So I encourage readers to pick up this book looking for some steam and romance not the amusement from the first!

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[C545.Ebook] Ebook Free Asylum on the Hill: History of a Healing Landscape, by Katherine Ziff

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Asylum on the Hill is the story of a great American experiment in psychiatry, a revolution in care for those with mental illness, as seen through the example of the Athens Lunatic Asylum. Built in Southeast Ohio after the Civil War, the asylum embodied the nineteenth-century “gold standard” specifications of moral treatment. Stories of patients and their families, politicians, caregivers, and community illustrate how a village in the coalfields of the Hocking River Valley responded to a national impulse to provide compassionate care based on a curative landscape, exposure to the arts, outdoor exercise, useful occupation, and personal attention from a physician. Although ultimately doomed by overcrowding and overshadowed by the rise of new models of psychiatry, for twenty years the therapeutic community at Athens pursued moral treatment therapy with energy and optimism. Ziff’s fresh presentation of America’s nineteenth-century asylum movement shows how the Athens Lunatic Asylum accommodated political, economic, community, family, and individual needs and left an architectural legacy that has been uniquely renovated and repurposed. 

• Sales Rank: #1058032 in Books
• Published on: 2012-03-20
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x .80" w x 7.00" l, 1.60 pounds
• Binding: Hardcover
• 204 pages

Review

 “Anyone who peruses Ziff’s work will not have an easy time putting it down. This book is more than a history of a time, a place, a movement, and a people. It is instead a sensitive and centered examination . . . her portraits of people who influenced the asylum are wonderfully rendered . . . alive and moving.”
— Samuel T. Gladding, Wake Forest University

 

“Asylum On The Hill is a fascinating and poignant history of one hospital, its patients and staff. Accompanied by rare, never released photos and records, Ziff’s easy narrative weaves the personal accounts of daily life with the broader context of post-Civil War America. What’s truly remarkable about Ziff’s book is that it tells a parallel story of our nation’s history and the forces that shaped not only the asylums but also the many other fundamental public institutions that survive today. A highly engaging work that makes the past come alive.”
— Christopher Payne, author of Asylum: Inside the Closed World of State Mental Hospitals

“This well-written, accurately researched historical work tells the story of the Athens Lunatic Asylum… . This is a work that brings the reader inside the life and times of patient care in Ohio. Asylum on the Hill is highly readable, enlightening, and for those who currently work in the field of psychiatry, the story is familiar and somewhat poignant… . Highly recommended.”
— Choice

“Ziff’s narrative—skillfully interwoven with period photos and excerpts from letters and reports—keeps the reader firmly rooted in the benevolent mindset of the time. While also covering negative aspects such as endemic political patronage and eventual overcrowding, it is, nevertheless, a lovely glimpse at a kinder and gentler time in Ohio’s treatment of its mentally ill.”
— Thomas Walker, Ohio Today

“Katherine Ziff’s fascinating Asylum on the Hillconcentrates on the first 20 years of the institution, from 1874 to 1893, when it was a cutting-edge example of progressive care for the mentally ill.… Ziff’s detailed research into patient records and letters yields tantalizing glimpses into the lives of those taken into the asylum, as well as those of staff members.… The volume is amply illustrated with period photographs, reproductions of letters, maps, tables and postcards.”
— The Columbus Dispatch

“By telling the story of one institution, Ziff places in context the larger picture of how professionals and the lay public thought about and cared for less fortunate individuals. Readers with diverse interests such as the history of psychiatry, medico-sociological analysis, and mid-to-late nineteenth century politics will enjoy this book.”
— Metapsychology

“Asylum on the Hill provides a valuable contribution to nineteenth-century American history and to the history of medicine.”
— Indiana Magazine of History

“People interested in the history of Ohio University’s Ridges property—and there are many such in this area—may think they’ve struck a gold mine if they open a new book issued by the OU Press.”
— The Athens News

About the Author
2013 Ohioana Book Award Finalist

Katherine Ziff is a scholar of psychiatric history and asylums. She is a public school mental health counselor and an artist. Ziff has published articles in History of Psychiatry, Counselor Education and Supervision, Creativity in Mental Health, New Research in Mental Health, and elsewhere. 

Most helpful customer reviews

3 of 3 people found the following review helpful.
The Healing Landscape, revealed
By flo
Author, Katherine Ziff has done a remarkable thing in this book "Asylum on the Hill History of a Healing Landscape". She has written a well researched and engaging book that appeals to a wide range of readers. There is something in it for anyone who is interested in Psychology, Sociology, History, Economics, Agriculture and Politics. I was mainly drawn to this book for the information on the "moral treatment" of people with mental illnesses which had it's heyday in the latter part of the 19th century . I always wondered how it came about and why it faded out so quickly.
This book gives an excellent overview of how it all unfolded. Many good ideas, which spring from the noblest of intentions eventually are undone by their own success, human failings or changing political and economic forces. It is a tragic tale." Moral treatment" for the mentally ill was a nationwide movement and there were Thomas Kirkbribe designed institutions in nearly every state, Ohio had five. The asylum in Athens is one of the few surviving "Kirkbrides" and one of the only ones to be successfully re-purposed by Ohio University and saved from the wrecking ball. The story of the "Athens Lunatic Asylum" as it was known for a time, is fascinating and big enough to fill many books. Once I started reading, I could not put it down and once I finished it, I found myself wishing that the kind of visionaries, who originated such undertakings, in the world, were among us now.

2 of 2 people found the following review helpful.
Amazing history
By bookworm
Having worked in the mental health industry for many years, I have always been interested in the evolution of care. I found this to be well researched and written. I'm also very excited that the Ohio University has chosen to preserve and use this landmark instead of having it fall into disrepair.

2 of 2 people found the following review helpful.
Great history of Athens asylum
By Sharon W
Formerly being from Athens, this book was especially interesting to me. Back in the 1950s-60s the grounds were open for the public. As children we often went there to fish in the pond and have picnics. It used to frighten us when we got close to the patient buildings and could see people/patients looking at us from the grilled windows. The old stigma of fearing "crazy" people? The book brought back a lot of memories.

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Critically acclaimed memoirist Aaron Hartzler, author of Rapture Practice, takes an unflinching look at what happens to a small town when some of its residents commit a terrible crime. This honest, authentic debut novel—inspired by the events in the Steubenville rape case—will resonate with readers who've ever walked that razor-thin line between guilt and innocence that so often gets blurred, one hundred and forty characters at a time.

The party at John Doone's last Saturday night is a bit of a blur. Kate Weston can piece together most of the details: Stacey Stallard handing her shots, Ben Cody taking her keys and getting her home early. . . . But when a picture of Stacey passed out over Deacon Mills's shoulder appears online the next morning, Kate suspects she doesn't have all the details. When Stacey levels charges against four of Kate's classmates, the whole town erupts into controversy. Facts that can't be ignored begin to surface, and every answer Kate finds leads back to the same questions: Who witnessed what happened to Stacey? And what responsibility do they have to speak up about what they saw?

National Book Award finalist Deb Caletti calls What We Saw "a smart, sensitive, and gripping story about the courage it takes to do what's right."

• Sales Rank: #79070 in Books
• Published on: 2015-09-22
• Released on: 2015-09-22
• Original language: English
• Number of items: 1
• Dimensions: 8.25" h x 1.09" w x 5.50" l, .0 pounds
• Binding: Hardcover
• 336 pages

Review
“What We Saw is a smart, sensitive, and gripping story about the courage it takes to do what’s right. If you’re looking for your next favorite YA author, look no further. Aaron Hartzler’s got what it takes.” (Deb Caletti, National Book Award Finalist for HONEY, BABY, SWEETHEART)

“This book is real. Like the protagonist, it’s vulnerable, honest, and incredibly brave. Kate’s story will be a lifeline for kids observing impossible situations and wondering where the right and wrong is in all of it. I could not put it down.” (Maya Van Wagenen, New York Times Bestselling Author of Popular)

“A powerful tale of betrayal and a vital primer on rape culture.” (Kirkus Reviews (starred review))

“The author has delivered an important, powerful, and engrossing read that gives readers a lot to consider… A gripping narrative that begs to be discussed.” (School Library Journal)

“Debut novelist Hartzler pulls no punches in his depiction of rape culture. A stirring,important read. (Booklist)

“An outstanding debut novel with so much heart, it is destined for the bestseller lists.” (Voice of Youth Advocates (VOYA))

“A thought-provoking look at victim blaming.” (Publishers Weekly)

PRAISE FOR RAPTURE PRACTICE: “...a hilarious first of its kind story that will surely inspire more.” (Kirkus Reviews (starred review))

From the Back Cover

The party last Saturday night is a bit of a blur.

Kate Weston can piece together most of the bash at John Doone's house: shots with Stacey Stallard, Ben Cody taking Kate's keys and getting her home early, the feeling that maybe Ben is becoming more than just the guy she's known since they were kids.

But when a picture of Stacey passed out over Deacon Mills's shoulder appears online the next morning, Kate suspects she doesn't have all the details, and begins to ask questions.

What really happened at the party after she left?
Who was still there?
What did they see?

When Stacey levels charges against four of Kate's classmates, the whole town erupts into controversy. Facts that can't be ignored begin to surface, and every answer Kate finds leads back to the same question:

Where was Ben when a terrible crime was committed?

This story—inspired by real events—from debut novelist Aaron Hartzler takes an unflinching look at silence as a form of complicity. It's a book about the high stakes of speaking up, and the razor-thin line between guilt and innocence that so often gets blurred, one hundred and forty characters at a time.

About the Author

Aaron Hartzler is the author of the critically acclaimed YA memoir Rapture Practice. This is his first work of fiction.

Most helpful customer reviews

6 of 6 people found the following review helpful.
Inspired by true events (ones so shocking and disgusting I can remember where I was when I first ...
By Kristy
Be prepared to feel a lot of anger when reading this. And also very visceral reactions: a sick feeling in your stomach, tightening in your chest, pulsating heart beat...this book is powerful. I honestly don't think my review will do it justice.

Inspired by true events (ones so shocking and disgusting I can remember where I was when I first heard the news), Hartzler takes a courageous risk and looks deeply into our society's rape culture.

Taking place in small town Iowa where high school basketball reigns and the players are treated like gods, a fellow student accuses four players of sexually assaulting her when she was drunk at a party. Multiple questions arise- is being unable to say no the same as consenting (NO); does a victim "ask" for it or "have it coming" simply for the way they dress or the way they act (NO); what is society's obligation to the accused and more importantly to the victim?

In an interesting take, our MC is neither the victim nor the accused; rather, she is a bystander and fellow student who is plagued with unease and questions about what really happened and how her community is responding to it. Kate's inner turmoil over the situation has her seeking for answers while also feeling hesitant about learning the truth. The decisions Kate is faced with and the way she responds is admirable, brave, and courageous.

For a book about the rape of a girl, Stacey, the victim herself is actually rarely present in the story. Her name and character are degraded, and she is continuously dehumanized, but we never really see her or hear her. I can't help but think this is intentional on the author's part. So many times in rape cases (and many other crimes), the victim is discarded or pushed aside. It becomes all about the suspect, his (or her) life, how he is effected, how his life will change. Or it becomes about the community and the effect it has on them (like losing your star basketball players). Somewhere along the way the victim, the whole reason why we should care, is forgotten or disbarred, just as what happens here to Stacey.

What We Saw is a harrowing novel that sadly hits too close to reality. But hopefully it serves as a reminder that this happens- it is real, it is tragic, and it requires accountability and action be taken.

4 of 4 people found the following review helpful.
A novel that has the power to change how people think
By K. Branfield
If you are only going to read one young adult book in your life, then that novel should be What We Saw by Aaron Hartzler. This is a book that matters. This is a novel that is real life at its darkest but also at its most hopeful when one person is willing to speak up when others are not. What We Saw is a story that has the power to change how people think and it needs to be on every person's and every school's reading list.

What We Saw is written in first person from Kate Weston's point of view. A junior with a promising future ahead of her, she, along with several of her classmates attend a party at one of their classmates' home when his parents are out of town. After downing a few too many shots of tequila, her longtime friend Ben Cody makes sure she gets home safely and then he returns to the party to retrieve his car. The next day, social media (esp. Twitter) blows up with tweets, comments and pictures from the night before. One of the pictures going around is one taken of Stacey Stallard and she is drunk, passed out and slung over the shoulder of one of the school's popular basketball players. By Monday morning, whispers about Stacey begin and before the week is over, four popular basketball players will be charged with sexual assault. What really happened that night might have remained a mystery, a case of "he said, she said", if not for Kate Weston. Kate does not like how everyone is trashing Stacey's reputation and she does not like the fact that no one seems interested in knowing what really happened to Stacey. Kate wants to know the truth and she is willing to go against her parents and her friends to uncover it.

Sadly, What We Saw is a fictionalized account of an actual case that happened in 2012. Aaron Hartzler's portrayal of this case is remarkably true to life and it is sometimes incredibly hard to read, let alone fathom. The storyline challenges society's kneejerk reaction to place the blame on the victim and it also challenges many biased beliefs that a woman is "asking" to be raped because of flirtatious behavior, the way she dresses or drinking a little too much. Various discussions offer a thoughtful commentary on what constitutes consent and more importantly, these conversations make it clear that the inability to say no is not an implied yes. A well written, thought-provoking young novel that I highly recommend to readers of all ages.

2 of 2 people found the following review helpful.
An important topic, but a very slow read
By Amazon Customer
I'm torn with this book, because although it's not written very well, it's an incredibly important story. I give it 2 out of 5 stars.

A rape. Photos. A video. Social media. What We Saw is inspired by real events, which makes it that much more disturbing. A teen is gang-raped at a party as people watched, and even though there's evidence, no one believes her because she was wearing revealing clothing and comes from a poor family. Besides, the boys accused are part of the town's revered basketball team, and everyone wants them to win, so no one speaks up.

I do think this book is very important for teens to read, and that it should be part of high school curriculums. It contains many conversations about what rape is. Is it rape if she's too drunk to say yes? Yes, it is, and sadly, many teens don't understand this. This book lends an open dialogue about not only rape, but harassment and how teen girls can protect themselves.

I'm giving it 2 stars because it's not written in a compelling or gripping way. I was on page 75 and saying, "When is something going to HAPPEN?" If you read my blog, you know I ask that a lot while reading. But it's a valid point! This book didn't get compelling to me until I was on the last 1/4 of the book, when the story really started to move. Much of the book is mundane and boring, scenes of girls talking about nothing important. I thought maybe these scenes would be important as I read on, but they're not.

If you have a teenager, I do recommend you have them read this book. It can teach them a lot and possibly save them from a bad situation. I don't really recommend it to adults. It's definitely a teen book, but I'm not sure it would even hold a teen's attention.

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[T593.Ebook] Get Free Ebook Beethoven: Anguish and Triumph, by Jan Swafford

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Jan Swafford’s biographies of Charles Ives and Johannes Brahms have established him as a revered music historian, capable of bringing his subjects vibrantly to life. His magnificent new biography of Ludwig van Beethoven peels away layers of legend to get to the living, breathing human being who composed some of the world’s most iconic music. Swafford mines sources never before used in English-language biographies to reanimate the revolutionary ferment of Enlightenment-era Bonn, where Beethoven grew up and imbibed the ideas that would shape all of his future work. Swafford then tracks his subject to Vienna, capital of European music, where Beethoven built his career in the face of critical incomprehension, crippling ill health, romantic rejection, and “fate’s hammer,” his ever-encroaching deafness. Throughout, Swafford offers insightful readings of Beethoven’s key works.

More than a decade in the making, this will be the standard Beethoven biography for years to come.�

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[U250.Ebook] Free Ebook The Evolution of the Automobile In Scale, by Harry Pristovnik

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A look at the evolution of the automobile from the days of horse-drawn vehicles to the sleek, prestigious cars of the 1930s, by way of the scale model cars built by the author. Featured are the first "true" automobile, the Model T, some American and European luxury classics, and even a few "non-auto" vehicles of the era.

• Sales Rank: #2187145 in Books
• Published on: 2016-02-12
• Dimensions: 8.50" h x .25" w x 8.50" l,
• Binding: Paperback
• 106 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Eye candy galore!
By Robert W. Coulter
Book Review:

The new self-published book by Chicago-area graphic designer Harry Pristovnik (The Evolution of The Automobile In Scale) immediately struck a cord with me as I strolled through the pages of elegant images and well-researched prose supporting each topic and subject. Knowing something about the author and being an admirer of his graphic design prowess...I immediately assumed that H.P., was one very luck character to have gotten access (with his camera) to what are obviously museum-quality full-size vehicles from multiple eras and historically-significant automotive styles.

The overall design of this tome is quite stunning. Literally “on-the-surface” even the most casual fan of antique, historic and vintage vehicles will enjoy an armchair trek through the full-color, one-hundred plus pages. And real aficionados of these popular topics will be amazed at the like-new condition of these iconic, historical subjects as well as absorbing a bit of valuable background on each one. Genuine, quality and factual are the first words that came to me in describing the overall craftsmanship of this notable piece of work.

At this point I was quite willing to applaud Mr. H. with a rousing...”job well done!” And then the question came creeping into my mind. Knowing that H.P., has been known to dabble in creating 3-D replicas in scale...I had to know! Harry, did you build all of these vehicles yourself? Ka-pow! The answer came back, a resounding...YES!

Even if your interests are of a casual nature, this new book will make for a instant topic of conversation displayed on your coffee table at home or it will easily become a valuable piece of precision reference material for your automotive-subject library.

Bravo...H.P!

BC

0 of 0 people found the following review helpful.
Building models with a view on history
By Norman F. Veber
An interesting book. Good info on the real cars and the model kits that represent the real car. Some modeling tips. The chapters on each car let you know which kits are easy to build and which kits need a lot of time and help. I read the book from cover to cover. Being a modeler myself, I enjoyed finding out how Harry Pristovnik approached building each of the models he covered in "Evolution...." If you like cars, and models of cars,
you should like this book. I thoroughly enjoyed reading this book. You may find yourself looking for a model car kit to build after reading Harry's
book.

0 of 0 people found the following review helpful.
Doctor Cranky Seal of Approval.
By Bestbeast333
What a fantastic book. Not only is the history and vehicle specific golden, but the models and replicas are eye-popping, jaw dropping beautiful. This is great inspiration and reference. Mr. Pristovnik has done his homework well. The book is a must have for the serious collection, but also for the collector/modeller enthusiast. The Evolution of the Automobile in Scale is a gem of a book. I highly recommend it.

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[X137.Ebook] PDF Download The Tin Drum, by Gunter Grass

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The Tin Drum, one of the great novels of the twentieth century, was published in Ralph Manheim's outstanding translation in 1959. It became a runaway bestseller and catapulted its young author to the forefront of world literature.

To mark the fiftieth anniversary of the original publication, Houghton Mifflin Harcourt, along with Grass’s publishers all over the world,�is bringing�out a new translation of this classic novel. Breon Mitchell, acclaimed translator and scholar, has drawn from many sources: from a wealth of detailed scholarship; from a wide range of newly-available reference works; and from the author himself. The result is a translation that is more faithful to Grass’s style and rhythm, restores omissions, and reflects more fully the complexity of the original work.

After�fifty years, THE TIN DRUM has, if anything, gained in power and relevance. All of Grass’s amazing evocations are still there, and still amazing: Oskar Matzerath, the indomitable drummer; his grandmother, Anna Koljaiczek; his mother, Agnes; Alfred Matzerath and Jan Bronski, his presumptive fathers; Oskar’s midget friends—Bebra, the great circus master and Roswitha Raguna, the famous somnambulist; Sister Scholastica and Sister Agatha, the Right Reverend Father Wiehnke; the Greffs, the Schefflers, Herr Fajngold, all Kashubians, Poles, Germans, and Jews—waiting to be discovered and re-discovered.

• Sales Rank: #164302 in eBooks
• Published on: 2009-10-08
• Released on: 2009-10-08
• Format: Kindle eBook

Review
''At the ages of fourteen and fifteen, I had read Great Expectations twice. Dickens made me want to be a writer but it was reading The Tin Drum at nineteen and twenty that showed me how. It was Gunter Grass who demonstrated that it was possible to be a living writer who wrote with Dicken's full range of emotion and relentless outpouring of language. Grass wrote with fury, love, derision, slapstick, pathos - all with an unforgiving conscience. --John Irving, New York Times Book Review

''Grass is one of the master fabulists of our age.'' --Times

''The Tin Drum will become one of the enduring literary works of the twentieth century. --Swedish Academy, awarding Gunter Grass the Nobel Prize for Literature, 1999

''In 2005, Mitchell and nine other translators accompanied Grass on a week-long retreat in Germany, asking questions about the book and touring the locations featured in The Tin Drum...If you haven't read this modern classic, now's the time.'' --BookPage

''The story…flows smoothly, carried along by the prose and (audiobook narrator) Garcia's captivating performance. He reads with a dramatic intensity, giving Oskar (the narrator of the book) the voice of a man who seems to be talking to himself, listening, analyzing, and checking his words…Garcia's masterful performance brings unreliable, unforgettable Oskar vividly to life.'' --Booklist, audiobook review

''Together, Garcia, Grass, and Mitchell take listeners on a tour of love, war, and madness.'' --AudioFile

Grass is one of the master fabulists of our age. --Times

About the Author
G�NTER GRASS was born in Danzig, Germany, in 1927.�He is the widely acclaimed author of numerous books, including The Tin Drum, My Century, Crabwalk, and Peeling the Onion.�He was awarded the Nobel Prize for Literature in 1999.
�

Breon Mitchell is Professor of Germanic Studies and Comparative Literature at Indiana University, where he is also Director of the Lilly Library. A Rhodes Scholar, he received his Ph.D. in Comparative Literature from Oxford University. His areas of specialization include literary translation, Anglo-German literary relations, literature and the visual arts, James Joyce, Franz Kafka, and Samuel Beckett.

From The Washington Post
From The Washington Post's Book World/washingtonpost.com
Reviewed by Michael Dirda

This year marks the 50th anniversary of The Tin Drum, the first and best-known novel of Nobel Prize-winning author G�nter Grass. While its narrator, the 3-foot-tall Oskar Matzerath, may be small in stature, his story is epic in scale--nothing less than the history of Germany during the first half of the 20th century, told through the experiences of one family. The first two-thirds of the book portrays life in the Free City of Danzig--now Gdansk, Poland--where Grass himself grew up; the last third, which covers postwar Germany through the early 1950s, take place largely in Dusseldorf, where the future author studied sculpture and graphics.

The Tin Drum has been regarded as a modern classic almost since the moment it was published. In English its success was helped along by an excellent translation by the late Ralph Manheim, to whom the young Grass was rightly grateful, despite a few reservations. In recent years, however, Grass has grown increasingly involved in the foreign versions of his work, going so far as to organize �bersetzertreffen--short convocations of his translators--at which he fields questions about his various books. From his experience of these meetings, Grass persuaded his publishers to commission a new English version of The Tin Drum from the distinguished Germanist Breon Mitchell.

In his afterword Mitchell explains that great books demand new versions because translations, no matter how fine, eventually grow dated. "The works that are never retranslated are those we only care to read once." In this instance, he underscores his deep admiration for Manheim, who was something of a mentor, while making clear that this new version has benefited from the inestimable help of the author and that it aims to reflect as closely as possible the rhythms and intricacy of Grass's German. "Each sentence in the new Tin Drum,' " notes Mitchell, "now faithfully replicates the length of the sentence in Grass's original text, and no sentences are broken up or deliberately shortened." As Mitchell concludes, "The new version I offer is meant for our present age, one that is increasingly open to the foreignness of the text, to the provocative innovation of linguistic play, to a syntactic complexity that stretches language."

This may sound as if the novel has been made dauntingly inaccessible, which isn't at all the case. With a magic-realist brio, The Tin Drum mixes fantasy, gallows humor, several pathetic love stories, a tragic family saga, a classic bildungsroman and a powerful account of how great political events affect--usually disastrously--a small group of ordinary people. It grabs your attention from the very first words: "Granted: I'm an inmate in a mental institution. . . ."

That voice belongs to the lonely, dwarfish Oskar Matzerath, who proceeds to tell us the story of his life, starting with the day his grandmother hid a fleeing arsonist under her voluminous skirts, then later married him. Their daughter, Agnes, subsequently weds the storekeeper Alfred Matzerath, whose serious passions are cooking and the Nazi Party. A complaisant husband as well, he turns a blind eye to his wife's ongoing love affair with a pale and sensitive Pole, Jan Bronski. The Matzerath circle also includes the greengrocer Herr Greff, who prefers Boy Scouts to his slatternly but voluptuous wife; the Jewish toy-shop owner Sigismund Markus, who is in love with Agnes; and the Truczinksi family, whose museum-guard son Herbert finds himself fatefully drawn to an accursed statue of Niobe--this chapter could stand as a first-rate supernatural tale--and whose daughter Maria becomes Oskar's great love.

Because of his mother's adultery, little Oskar remains uncertain of his true paternity. But he claims that at the age of 3, he made a conscious decision to stop growing, so that he would never have "to rattle a cash register" and could spend all his time drumming. Thus, throughout the first two thirds of the novel, Oskar remains largely mute and seemingly infantile, both spoiled and pitied, obsessed with playing his little drum and prey to the cruelty of other children. Yet he's as much an evil gnome as he is a lonely, apparently autistic child: His screams can shatter glass, and frequently do; he mutilates a statue of the Virgin Mary and Baby Jesus; his selfishness even causes, albeit indirectly, a whole series of deaths.

As Oskar recalls his childhood and adolescence, Grass mentions major political events as distant, almost minor matters in the family's ongoing dramas: "In January of forty-three there was a good deal of talk about the city of Stalingrad." While little Oskar rejects formal schooling, he nonetheless teaches himself to read, choosing as his personal role models Rasputin with "his world of naked women in black stockings" and "the know-it-all" Goethe, in other words, "the dark and gloomy figure who cast a spell on women and the luminous poet-prince who so happily allowed women to cast a spell on him." Oskar himself periodically uses the power of his drumming or his laser-like, glass-cutting voice to mock the pieties of those around him. For a while, he takes to waiting in the shadows until an upright citizen pauses at a jewelry store, where--amazingly--a round hole suddenly appears in the window, just big enough for a gloved hand to reach through and unobtrusively seize a ruby necklace. At another point, Oskar convinces a gang of teenage hooligans that he is, in fact, Jesus, and that they must obey his commands.

In perhaps the most famous scene in the novel, the Matzeraths and Bronski take a walk along the seashore, where they see a hideous old man, fishing with a long rope. They pause for a moment, as he hauls up the line to reveal that it is attached to a horse's severed head. He dumps the pulpy, disgusting mass on the dock and begins to pull out long black eels, which he tosses into a canvas bag of salt. Oskar writes that his mother at first wishes to look away, then finds that she cannot turn away, and finally that she vomits up her breakfast, which is soon devoured by swooping seagulls. To cap things off, the hearty Herr Matzerath buys several of the eels to take home for supper. The repercussions from this incident change everyone's life.

In the 1930s Oskar meets another midget named Bebra, and this cosmopolitan traveler (and circus clown) ominously warns his youthful admirer: "They're coming! They will take over the festival grounds. They will stage torchlight parades. They will build grandstands, they will fill grandstands, they will preach our destruction from grandstands. Watch closely, my young friend, what happens on those grandstands." As Oskar notes in the bitterly satirical chapter "Faith Hope Love," "An entire gullible nation believed faithfully in Santa Claus. But Santa Claus was really the Gasman." The war years themselves are replete with nightmarish and absurdist scenes: While the Germans lay siege to the Danzig Post Office, a coward, driven mad by fear, compels Oskar and a dying man to play game after game of cards. The afternoon before D-Day, a group of dwarves chats with a German gunner in his pillbox on the beach at Normandy, while five nuns with black umbrellas frolic at the water's edge and a gramophone plays "Sleigh Bells in St. Petersburg." In the postwar era, a desperate Oskar first becomes an assistant to a funerary stonecutter, then an artist's model and eventually a jazz percussionist at the Onion Cellar, where people pay vast sums of money so they can peel onions--and openly weep. In due course, Oskar's drumming--it possesses an Orpheus-like power to affect people's souls--brings him a great fortune, but it also leads to his incarceration in an asylum, where he gloomily celebrates his 30th birthday.

The Tin Drum has now been studied and interpreted in classrooms for half a century. Grass himself has emerged during that time not only as a major novelist but also as a cultural and political gadfly. Recently, he disclosed that at the age of 17 he was briefly a tank gunner for the Waffen-SS, an admission that adds a probably unwanted resonance to Oskar's occasional observations about wartime guilt, e.g., "I tend, like everyone else, to make allowances for my ignorance, an ignorance that was just then coming into fashion and, like a jaunty hat, still looks oh so good on many a person today." Still, however one feels about Grass's 60-year silence, The Tin Drum itself remains a very great novel, as daring and imaginative as Gabriel Garc�a M�rquez's One Hundred Years of Solitude or Toni Morrison's Beloved.

Copyright 2009, The Washington Post. All Rights Reserved.

Most helpful customer reviews

108 of 119 people found the following review helpful.
Brave New Translation
By Richard J. Rundell
Following the generally accepted premise that great novels deserve to be re-translated every generation or so, Breon Mitchell has tackled the most important postwar German novel, and one which had already been translated by Ralph Manheim brilliantly into English not long after it appeared in German in 1959.

But now a half-century has passed, and Mitchell's skills are awesome, indeed. He has leapt courageously into the deep end of Guenter Grass' linguistic inventiveness, some of which looks at first as if it will defy translation at all. But Mitchell has succeeded beyond any bilingual reader's expectations. THE TIN DRUM is still far richer in its original German, but Mitchell has rendered its wealth anew, and those readers who have yet to discover this masterpiece in English will be rewarded.

Dr. Richard J. Rundell
Professor of German
New Mexico State University

77 of 88 people found the following review helpful.
The strangest coming-of-age novel
By Guillermo Maynez
Western literature is full of what Germans call "bildungsroman", that is, the story of a young man's (or woman's)intellectual and emotional growth, often told from the main character's own voice. This kind of novel has adopted innumerable shapes and styles through history, and certainly this one is, so far for me, the strangest and one of the best.
It is hard to summarize the plot, as it is mainly the diverse and extreme experiences of Oskar Matzerath's life. Born in 1924 in Danzig, itself a unique and troubled city, Oskar decides at age three not to grow up anymore. Or does he simply has an illness of the tyroid gland, as he hints at some point? It doesn't matter, precisely because that moment starts the style of the whole book: all the time, terrible things are happening to Oskar, to his family, to his city, to his nation and to his century, but we see everything only through the distorted glass of this unique character's view.
First he tells us about his ancestors and the life they led in pre-war German Poland. Then we know the story of his parents, the infidelity of his mother and other disturbing and often sordid events. His community starts to fall apart as the Nazis rise to power. Then the Nazis come and destroy the city, phisically and spiritually. Oskar spends the whole war in Danzig as well as wandering through France and Belgium as part of a grotesque midget-troup�e. After the war, they flee Poland for D�sseldorf, where he is employed in very different jobs: as a tomb engraver, painters' model, jazz drum player. The chapter which describes the journey by train is simply horrible and scaring, as the chapter on his emotional disappointing is sad. The end is strange, confusing but full of hope.
There is abundant abnormal sex, vomit, dirt, misery, but also struggle, success, and much love. Oskar is not always nice, but he remains loyal to those he loves, and that is a great strength of a character you sometimes hate, but in the end you come to love. The book is full of metaphors, obscure symbolisms, grotesque and sordid events, and, above all, the human misery of our century, especially in Europe. It is a bittersweet book, often repulsive, just because that is how life is. It has moments of joy, of glorious triumph, of utter defeat. It is very very sad, because it is the story of a distorted but extremely sane person in an equally destorted but horribly insane world, but it is also a book about the joy of life, about how we have to keep going on even in the midst of tragedy and misery. If it has a message, it should be: fight on.
It is said that great works of literature depend on character development, not so much on the plot and the story itself. Well, this is a case in point. The whole book is sustained by the central character of Oskar, a wicked, depressed, desperate man seeing how his world crumbles apart and he has to build a life for himslef. As another reviewer aptly put it, he is the lonely voice crying in the wilderness. Oskar is a very solitary man with a great disadvantage, one that by sheer willpower he turns every time into an advantage, a means for surviving in a careless, cold world. Oskar never gives up, never surrenders, he finds a way to survive after every setback, and terrifying setbacks he experiences.
I think this book had to be written in the form of magical realism, because the pure realism would have been insufferable: the tragedies that occur are beyond telling them.
Not an easy read, it is most rewarding, for it paints a wide picture of the human experience, precisely what great literature is about.

98 of 114 people found the following review helpful.
The Banality of Evil and Its Consequences
By Donald Mitchell
I have been meaning to read this book since it came out in 1959, but only did so now. My reason for delaying was that the reviews I had read of the book made it sound unappealing to me. Why did I want to read the unrealistic ramblings of an insane dwarf?
Having been impressed with Mr. Grass's recent work, Crabwalk, I finally decided to give The Tin Drum a try. I'm glad I did. Let me explain why.
In my studies of the Nazi era, I was always struck by comments that observers from that time made about how banal the evil of it all was. Yet much of the propaganda from that period (such as The Triumph of the Will) that we can see today makes the Nazis seem like mythic figures. What were the observers trying to say? I finally felt like I understood the point through reading The Tin Drum. Reading about distant battles while living in Germany before the bombing became great seems a lot like reading about attacks on coalition troops in Iraq now. Going to party meetings seems a lot like how people here go to lodge meetings now.
In the first 100 pages, I kept wondering why Mr. Grass had chosen to write the novel in the form of an autobiography of an insane dwarf pretending to have a mental age of 3 who had been convicted of a murder he did not commit. Eventually, it hit me. He needed a narrator who could not be considered complicit in what the Nazis did, or we could not trust his voice. In addition, how can you portray banal evils as insane unless you see them through the eyes of an "insane" person who makes all too much sense? Once I accepted the brilliance (perhaps even the inevitability of his choice), I settled back and really began to enjoy the story. Then I began to realize that it is our childish instincts to want to control everything in our lives that leads to our separation from the richness that we can provide one another. So Mr. Grass was also sharing an important psychological point in choosing Oskar as his narrator.
What made the book special for me was Mr. Grass's ability to continually show how our connections to one another are the potential for goodness, while our instincts to take advantage of one another are the evil we must overcome. Oskar Matzareth, the narrator, is a thinker . . . yet ultimately his point is that we must carefully examine what we think about. Otherwise, false ideas will lead to fatal consequences.
I was very impressed by the way that the plot was constructed so that each time society acted in divided ways Oskar himself or someone close to him was harmed.
What will stay with me the longest are the amazing descriptions of fictional people and events: His grandmother's skirts, the horse's head with the eels emerging from it, his "father's" death during the Soviet invasion, Jan Bronski's obsessive search for skat cards during the attack on the Polish post office and Oskar's reaction to the statue of Jesus coming to life will always be with me.
I found myself wishing that I could read German like a native. The satirical humor is usually savage and quick to kill its object. I fully absorbed the lesson before the blood could even begin to emerge from the butt of the satire. As I read the book, I wondered how many times I missed compelling humor because it didn't translate well into English.
At the end of the book, I found myself searching for a novel to compare The Tin Drum to . . . in order to help other readers decide if this book is for them. In the end I could find no one book. Instead, The Tin Drum can best be described as a combination of reverse sort of Gulliver's Travels, Candide and Don Quixote set in the context of German/Polish Danzig through the end of World War II and in West Germany thereafter. So there's a fundamental darkness to the book that is missing from the other three.
I came away wondering how I can stay connected with others now while retaining the ability to see and act on the events around me as a detached, objective observer. Mr. Grass has raised quite a challenge for us all.

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[C650.Ebook] Free Ebook A History of Africa, by J.D. Fage, William Tordoff

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A History of Africa is a thorough narrative history of the continent from its beginnings to the twenty-first century. Long established at the forefront of African Studies, this�book addresses the events of the 1990s and beyond.

The issues discussed include:

• post-apartheid South Africa�
• the prospects for democratization in Africa at the beginning of the new millennium
• developments in Muslim North Africa including the threat of Islamic fundamentalism
• economic and social developments including the devastating impact of Third World debt and the provision of debt relief
• cultural, environmental and gender issues in Modern Africa.

• Sales Rank: #1898722 in Books
• Brand: Routledge
• Published on: 2001-12-16
• Original language: English
• Number of items: 1
• Dimensions: 9.20" h x 1.47" w x 6.30" l, 3.18 pounds
• Binding: Paperback
• 672 pages

Features

• Great product!

Review
'One of the best single volume treatments.' - Times Educational Supplement

About the Author
William Tordoff is Professor Emeritus of Government at Manchester University.

Most helpful customer reviews

12 of 14 people found the following review helpful.
History of Africa
By Walden
This book is an incredibly detailed chronicle of Africa. My travels to this great continent inspired me to learn more of its history. My desire was to obtain a greater general knowledge of the "cradle of man" and trace human origins in relationship to cultures, migrations, et cetera. Although I feel that this book is a brilliant work, it is superfluous with detail and exceeds my personal wants or needs. I tend to get lost in the constant infinite details of this book. It is a 'hard read'. The book is a scholar's delight of ad infinitum names, places, and events which I cannot possible retain.

23 of 25 people found the following review helpful.
Excellent, erudite and readable detailed survey
By A Customer
With a sharp eye towards debunking a few centuries of self-serving white European mythic history about the origins of African societies, but without any particular ax to grind but those of intelligence and accuracy, J.D. Fage's work is scholarly and readable. It is a critical survey, with an excellent bibliography spanning a large number of subjects. His knowledge of west Africa is particularly impressive, and he clearly delineates the powers of both external cultural forces sweeping into Africa (Islam) as well as those that originated there.

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